PUBLISHER’S WEEKLY MAGAZINE PROFILES AUDIOCOMICS IN “COMICS BREAK THE SOUND BARRIER!”
WE’RE THRILLED TO ANNOUNCE THAT AUDIOCOMICS IS FEATURED IN THE PAGES OF THE HOUSTON CHRONICLE!
A FANTASTIC WRITE-UP ABOUT THE AUDIOCOMICS COMPANY ON PUBLISHER’S WEEKLY’S “LISTEN UP” BLOG! READ ALL ABOUT IT…
ELAINE LEE AND LANCE ROGER AXT TALK TO SOME MIGHTY FINE FOLKS AT MIGHTYVILLE…
AUDIOFILE MAGAZINE: “Crunch! Kaboom! Pow! A superhero action comic in audiobook format? Yes! With sound effects including crashing cars, screaming citizens, beeping computers, and whirring helicopter rotors, AudioComics brings this new series to life with a full cast of narrators. Likable Molly Danger is a super strong, immortal 10-year-old alien who is never far from action. Orphaned when her parents’ ship crashed to earth, she was recruited by the Danger Action Response Team (D.A.R.T.) to fight the evil Supermechs, who threaten Earth. Quiet music accompanies Molly’s sad and lonely backstory scenes, while techno pop and suspenseful music highlight battle and chase sequences. Multiple narrators and excellent special effects make it easy to follow this fast-moving audio comic.” © AudioFile 2014, Portland, Maine
MAJOR SPOILERS: “As far as adaptations go, this one is spot on. Everything from the first Molly Danger book is included in this audio production; all the characters, side conversations, and yes, even the tour through the Mollydome. For those who complain that faithful adaptations are hard to come by, Mighty does a good job of showing how a successful adaptation can be done. I do think that those already familiar with Molly Danger will get more out of the production than those who are coming on board for the first time.
“I love the Theater of the Mind, and the creators did an excellent job of bringing the world of Molly Danger to life between the ears. There’s solid acting from everyone. I was particularly impressed with Olivia DuFord as Molly. She brings energy and meaning to the character without it sounding like a young girl reading her lines. Too many times – especially when listening to audio drama podcasts – the acting is over the top throughout the entire production. Not so here. At times the acting is quite subtle, and even while listening to this project in the car with my two younger children, all the nuance and emotions of the characters comes through. This is a production you will want to listen to in surround sound or with both earbuds in your ears as the mixing of the piece really immerses the listener into the environment.”
GEEKQUALITY: “Olivia DuFord as Molly Danger manages to capture a perfect blend of childlike sweetness and sad world weariness that are to be expected from a 30-something living as an eternal pre-teen… There is a big cast of characters, from DART team members to the various Supermechs. A highlight is William Dufris as Austin Briggs, the pilot who befriends Molly. Briggs maybe a grown man with a wife and step-son, but he’s also a bit of a kid at heart, which sometimes manifests as breaking protocol during his missions. Dufris as Briggs gives him a little bit of reckless playfulness, but also a lot of heart.”
A YEAR OF JUBILEE REVIEWS: “With a house full of boys, super heroes are very constant in our home. It has been wonderful for my daughter to have a super hero who is female! She has so enjoyed listening to this adventure of Molly. It is definitely not just for girls either as my boys tuned in to the action packed adventure. This is a very well done audio drama and throws us back to the days of sitting around the radio and listening together as a family. I love these kind of audio productions to invoke imagination in the kids!”
THE BIBLIOSANCTUM: “We first met Molly Danger on Free Comic Book Day, but recently had the pleasure of rereading the story, accompanied by the very fun audio narration. I’m a big fan of audiobooks, but I had wondered how well narration would work for a comic book. Molly Danger, Episode One removed all my doubts with a full cast narration, complete with sound effects. My girls initially read along with the comic in hand, but soon enough, they were happily acting things out themselves.”
LITERARY GRAND ROUNDS: “I totally loved the way this production made me feel I was a part of Molly’s universe and it was a very enjoyable experience. The background musical support too aptly adds to the element of adventure and fun.”
GRAPHIC POLICY: “I’d definitely get it for a kid to listen to during a road trip or other point their mp3 player needs to be filled up with some entertainment. Molly herself is fantastic for kids, so being able to experience her adventures in as many ways as possible is a good thing.”
THE CHICAGO TRIBUNE: “The Starling Project is pure Jeffery Deaver, with a plot that twists and turns upon itself and a brilliant investigator at the helm of a manhunt, this time Harold Middleton, played by Emmy and Tony winner Alfred Molina. But The Starling Project is not a novel, it’s a full-cast performance produced by AudioComics for Audible, complete with dramatic music at scene changes and the sound of fists hitting flesh…this smart production makes full use of all that audio allows, employing actors who create distinctive voices — including enough nationalities for a mini United Nations — to prevent any listener confusion and provide depth to the personalities, even if two of the characters seem to have come straight from the Ministry of Silly Voices. Middleton leads a clandestine group of good guys who step in to solve the world’s problem when extragovernmental action is required. This time, they need to stop a shady character called the Starling in a plot that takes them from Mexico, to Washington, D.C., to Prague, Paris and Africa. In true Deaver style, there will be several misidentifications before the true Starling is finally revealed.”
AUDIOFILE MAGAZINE: “An international gunrunning, money-laundering, and kidnapping criminal mastermind is on the loose, and only war-crimes investigator Harold Middleton can track him down. With his smooth vocal presence, Alfred Molina embodies Middleton’s confidence and continental charm as he leads an outstanding ensemble of 30 actors playing 80 speaking roles in this high-velocity thriller. With its hypnotic musical score and sound effects of gunshots, squealing tires, and all-too-close explosions, listeners may believe they’re listening to a movie soundtrack. And basically, they are–it’s just that the pictures might be even better because they’re being furnished by their own own imaginations. Slip on a pair of headphones to fully appreciate every detail in this carnival ride for the ears. Winner of AudioFile Earphones Award” © AudioFile 2015, Portland, Maine
ROCKINBEAR REVIEWS: “I listened to the entire performance through my closed-cup Sony MDR-7506 studio headphones. This experience was AMAZING!!! It is the audio version of surround sound in a movie theater. All of the dialog was clear. The scene-specific ambient noise in the background made perfect sense. The somewhat garbled radio communication was realistic.
“This is a fantastic production. While fairly short at just over four hours, the story is well written, with steady action, adequate character development, and good dialogue. The voice acting is superb. My recommendation is to get this to your ears as soon as possible, if you like thrillers and audiobooks. This production pushes the envelope of what is possible with audio drama. The combination of a good story, great voice acting and great production makes for a fantastic listening experience.”
RADIO DRAMA REVIVAL! “After preaching for years that audio drama needs more stuff that ‘feels’ like TV or movies, we have in The Starling Project an example of audiobooks behemoth Audible making a bold move into the audio drama space. The results put US-commercial audio drama back on the map and hopefully will lead to far more shows of its style and caliber in the future.
“The influence of mainstream British producers like Dirk Maggs and Big Finish on AudioComics is obvious. Rather than making ‘safe’ choices in regards to dialogue, use of sound, and music, they push the envelope whenever possible. Knowing that there still is a wide gulf between the expectations of audiobooks listeners (who expect to comprehend every word) and savvy audio drama listeners (who get immersed in the story world and try to follow a ‘scene’), (this) shows off how gutsy a move Audible has made.”
AUDIOFILE MAGAZINE: “Converting this comic-book story into an audio production, William Dufris and a full cast at AudioComics provide an engaging and solidly aural experience for listeners. When a new recruit is introduced to the Perhapanauts, a team of supernatural beings working for a government organization to confront other supernatural phenomena, he finds himself a bit perplexed, even before he hears about their latest mission to capture a chimera. Choices for sound effects to represent the different supernatural effects are well chosen as is the up-tempo musical score. The cast portrays the mix of characters well, including a genius sasquatch, a spastic chupacabra, and a young adult ghost.” © AudioFile 2014, Portland, Maine
RUDY PANUCCI, POPCULT: “The Sasquatch, Big, is a well-educated genius. Molly the ghost is in denial about being dead. Chupacabra (or Choopie) is an immature tempremental dolt. Karl, or the Mothman, is just a lonely awkward guy who wants to have friends, and is also a red-eyed, winged harbinger of doom. A new member is brought in and meets the team before their adventure unfolds.
“That adventure makes up the rest of this audio presentation, and like the comic, it’s loads of fun light-hearted adventure without being slapstick comedy. The Perhapanauts is more serious than Ghostbusters, but not deadly serious like The X Files…This story establishes the team and gives us a great adventure with a nice twist at the end. It’s sure to whet your appetite for more Perhapanauts tales, which you can find in the graphic novels while you await the next Perhapanauts AudioComic.”
PUBLISHER’S WEEKLY: “Saucy and sexy PI Honey West is on the case when a slew of murders occurs on the set of a low-budget sci-fi film. As cast members are knocked off one by one, West must use her wits, charm, and a good strong fist to find out who is killing whom. A fun romping mixture of film noir and chick lit, this comic-turned-audio (based on the characters of G.G. Fickling) has lots of personality, but clocks in at about an hour. The performances of the full cast are at times campy, but that is charming and a perfect fit for the subject matter. For fans of comics and audiobooks, this production is definitely worth the listen—especially if you’re looking for a light and entertaining story.”
RUDY PANUCCI, POPCULT: “This is a great story, told in three fast-moving acts. It’s essentially a radio drama, with top-flight music and sound effects and a very strong cast. One of the strengths of Elaine Lee’s work is that, coming from an acting background, her dialogue sounds very natural when spoken aloud. Her adaptation of the comic book series she did with Ronn Sutton just sounds right. The characters are all believable and the story is engaging. Director, William Dufris, and a sharp cast, featuring Carrington MacDuffie as Honey West, bring Lee’s script to life and capture the spirit of the era and the dark side of Hollywood denizens in decline in a perfect manner.”
AUDIOFILE MAGAZINE: “Since the late 1950s, the brash and beautiful Honey West has had a healthy cult following in novels, comics, and television. Now the alluring detective has been adapted to audio, and she’s found the perfect narrator, Carrington MacDuffie. MacDuffie brings all the vocal sass, humor, and smarts needed to break a tough case wide open. In this first episode Honey goes undercover in Hollywood, even taking a bit part in “Amazons from Mars” to investigate the death of B-movie queen Zu Zu Varga. While the suspects and silly accents stack up quickly, the easy jazz sound scape and MacDuffie’s hard-boiled performance sound just like a comic book should—broad, bright, and colorful.” © AudioFile 2012, Portland, Maine
GIL T. WILSON, books.gather.com: “The cast was excellent, giving the story that complete Honey West of the 60s feel. The characters are all perfectly performed and it almost sounds as if you are listening to an old radio show. Great acting, realistic sound effects and the music! The music segues really added an extra oomph! to this performance. They were old jazzy lounge music bits that fit in with the portrayed time and setting of this performance. All of this together makes for a very entertaining production that you should really get for your collection now.”
THE LOTTERY PARTY: “The actual production is spellbinding, with star MacDuffie’s narration and the smooth jazzy score together compelling your attention like one of the better NPR programs. The mind’s eye presents nothing but character actors, all brightly caricaturing iconic archetypes of both crime fiction in general and Tinseltown’s heyday in particular…And although the pace is kept quite casual, a surprising amount of information is luxuriously squeezed in to the experience. What they are accomplishing is so much more than just watching a movie with the screen obscured, with the levels of inference completely astonishing, even on a second or third listen.
“…Look for the impending sequel, which rumor has it will involve some go-go dancing…”
ANDY’S RETROSPACE (UK): “Carrington MacDuffie’s portrayal of Honey West draws the listener into Elaine Lee’s fabulous 3-act script, conjuring up comic-strip images embellished with Roy Lichtenstein’s Benday Dot’s in the listener’s mind’s eye. Incidental music stylised in the roots of the early 1960s and a strong supporting cast of character actors give this audio drama a definitive old-time-radio feel. With hindsight it seems a coincidence that the 1962 events of this story almost run parallel with the mysterious circumstances of the death of a real-life Hollywood starlet – Marilyn Monroe, whose own look seems to have inspired Honey’s visual style. As with Marilyn Monroe, I now find myself smitten with Honey West and look forward to further audio adaptations of her adventures.”
SCRIPTED GENIUS: “There are audiobooks, and then there are audio presentations. In the arena of audio presentations, some are just books that are read with a superb excellence, and others are intended to be listened to. This experience is the latter. Honey West: Murder on Mars is recorded with a cast of voices perfect for the match, complete with acting ability and suspense. Toss in the sound effects, and it’s an old radio broadcast with near-high definition quality. Looking for a murder mystery that’ll take you along for the ride? Hop aboard this audio tale, and join Honey West in this whodunnit adventure…”
COMIC BASTARDS: “The story was originally written by Elaine Lee and AudioComics has actually had her adapt the comic script for the “radio” style format of the recording. The result is a tailor fit story that actually works better in the format than it did as a comic. The acting is very good and consistent throughout the three track recording…Overall I think it was a wise choice to choose Honey West: it has a ton of dialog and is practically a perfect fit for such a project.”
RON FORTIER, PULP FICTION REVIEWS: “All’s Fair in War is a superb audio treat with great writing, perfect acting; especially by Karen Stillwell as Ellen Patrick/Domino Lady and Peter Carini as McKane. The blues/jazz soundtrack is also a gem and easily sets the story’s atmosphere. If we have one complaint is that this is only the opening chapter in the series and ends much too soon, leaving us wanting a whole lot more. Axt and AudioComics have produced a top-notch audio recording that is pure pulp goodness. We recommend you order your copy now. You can thank us later.”
STEVE ENGLEHART (comics legend, Batman, The Avengers, Silver Surfer, Coyote): “When my oldest son was little, he told me he didn’t like black and white movies, and I told him that it’s not the medium, it’s the skill of the people using the medium that matters. From there he went on to silent movies, and opera…and radio dramas. The new Domino Lady is a fully professional radio drama, with all the skill of the 1940s and the technological superiority of the 2010s. This is not a scratchy MP3 made from an old acetate – this is radio drama at its finest, with real actors and real writers — so spend some evenings with The Domino Lady.”
BROKEN FRONTIER: “As a radio play Titanium Rain could quite easily be listened to by someone unfamiliar with the source material and enjoyed as a gripping piece of audio drama on its own merits. However, I think it works best as complementary material to the book, adding an extra layer of insight and appreciation for its audience into this minutely detailed reality and the motivations of the characters that inhabit it. From that perspective questions of superfluity are easily dismissed.
My fervent hope is that this dip into the transmedia waters proves successful enough for Finney and Rocha to be able to revisit these characters again in the near future, in either format. Fully realised and cleverly conceptualised fictional environments like this don’t come around too often in comics. We need to appreciate them when they do…”
THE LOTTERY PARTY: “The entire production is phenomenal, with layers of sound measured so well that absolutely nothing gets lost in translation. Even with the banter between a group of soldiers, the listener can still hear the radio playing on in the background of their scene, or the white noise of traffic and computer bleeps among the channel-surfing of on the spot journalists reporting their fare. It all presents richly textured imagery, eye candy for the imagination to color by number.
“Special standouts were (Lance Roger) Axt in the lead, giving a mighty strong presentation for all others to follow (though yet still with some honest humility to the performance), and (Elizabeth) Knowelden contributing a touch of genuine sexiness to the warfare (along with some of the more insightful lines), and (Richard) McGonagle as the deep throat narrator, offering the knowing airs of a Walter Cronkite in full effect. And the musical score, written by Sharp, is simply outstanding. Available as its own collection, the score in many ways bridges the gap from electro to industrial, with some sequences harkening back to the kitschy fun of Golan-Globus themes. It’s inventive, moody, explosive, and sonically adventurous.”
AUDIOFILE MAGAZINE: “This full-cast, impressively produced drama takes you right into the action of a future Third World War and its battle zones in China. A revolt against the Chinese government has triggered a full-scale conflict, involving the U.S. You’ll be skillfully sucked into the story, suddenly finding yourself in the cockpit, fighting for your life. Yet this is more than action entertainment–the convincing backstory is cleverly exposed through news reports and dialogue. In the present, scenes switch from dogfights in the sky to battle on the ground to tense dialogue without ever confusing the listener. Put on your earphones and fly!” 2013 Audies Finalist, Winner of AudioFile Earphones Award © AudioFile 2013, Portland, Maine
PUBLISHER’S WEEKLY: “Following a band of genetically altered fighter pilots during a global conflict, this impressive audio production follows Alec Killian and his fellow pilots as they discover how they were created, what makes them tick, and what their purpose is in this almost ceaseless war. Boasting thrilling and realistic sound effects, a musical score, and a dynamic full cast, this is an engaging listen that rivals the best classic radio dramas. Based on a comic book series, this production’s only major flaw is that the transitions between scenes are sometimes jarring and difficult to follow without visual cues. Still, fans of comics and listeners who love radio dramas will find a lot to like in this entertaining sci-fi thriller.”
GIL T. WILSON, GIL T.’s PLEASURES: “When you think about comics you think of the intense graphics helping to tell the story, which always intrigues me about how that gets translated into audio form. There are a couple of audiobook companies that do it right and based on the awesome work I’ve heard, the AudioComics company will be one on my list for any future releases.
“AudioComics paints the background, which would normally be done with graphics, with a complete 360 degrees of sound. The explosions the weapons fire and the special effects fill the air just as the graphics would fill the background. These aren’t cheesy effects either. I was listening in my car at one point in the story when the jets were flying and I had to ease off my gas pedal because I felt like I was in the jet as the battle progressed. During the explosions, through my Bose Wave Radio (via aux input), would cause the walls in the room to rumble. This one was a fantastic aural experience.”
DIRK MAGGS (Award-winning Director/Producer, The Hitchhiker’s Guide to the Galaxy for BBC Radio): “The AudioComics ‘movie in sound’ based on the bestselling graphic novel by Josh Finney and Kat Rocha is a high-octane example of how visual a medium audio theatre really is. Starting with a pitched battle in a future war that is all too believable and creating a range of engaging characters whose stories intertwine, AudioComics’ production values never fall below exceptional and the pace is full throttle. One of the best examples of immersive entertainment in a creative field undergoing a huge renaissance at the moment.”
TOM LOPEZ (ZBS Foundation): “Now this is one incredible production, and a great story too. Don’t just take our word for it (we doubt you would anyway), but listen to a few minutes and hear for yourself what an exceptional piece of work this is.”
FRED GREENHALGH/RADIO DRAMA REVIVAL!: “Strap in, crank it up, and let it fly, this is one smokin’ hot production.” Hear the Titanium Rain special on Radio Drama Revival!, featuring selected scenes and interviews with The AudioComics Company and creators Josh Finney and Kat Rocha!
MICHAEL COLBERT (comics/screenwriter, creator of 01Publishing’s Crazy Mary): “If you like your stories smart, intense, well written with crisp dialogue and a hard core concept that comes across smooth this is the story for you. Science fiction/cyberpunk/war story that elevates the genres it’s working in. The graphic novel is amazing and the audio drama replaces all the visual intensity of the book with an aural experience worth the price of admission. You feel the bullets slamming into the jets, the pull of G forces on your chest and a living breathing world inside your ears.”
PATRICK McEVOY (comic artist, Starkweather: Immortal): “As a fan of good science fiction AND audio plays, I’ll say that this one hits on both counts! Based on the excellent graphic novel of the same name, the Titanium Rain audio drama is an outstanding use of the medium. Excellent acting, writing, sound design and music throughout make this a truly gripping and entertaining experience.”
CORISSA BAKER, corissabaker.com: “The exciting graphic novel Titanium Rain is excellently retold in this gripping audio drama produced by the Audio Comics Company. The listener is taken into the philosophical debates of Alec Killian, into the depths of a future warscape, and up into the high-tech cockpit of the F-35X ”Hellcat” as seen in the art of the original work. As one who has been listening to a lot of audio dramas I have to say that I am thoroughly impressed with the quality of the Titanium Rain Audio Drama. I was so taken away with it that I was ready to hit the replay button immediately after it ended. In fact, I’m listening it to it again now.”
SF CROWSNEST: “This is not something to listen to in the background, that would dishonour the people who made it and it’s got to be enjoyed with mind focused on the sound, in a room with nothing else attacking the senses apart from the CD in your audio system…this is a very good audio drama and one to be relished. If you have experience of only audio books, this is definitely nothing like that. It’s not like a DVD. It’s a unique experience on its own and one to recommend.”
RADIO DRAMA REVIEWS ONLINE: “Titanium Rain is not for the faint-hearted; but nonetheless proves how radio drama provides the ideal medium for presenting epic dramas at minimal cost, with the varied sounds encouraging listeners to use their collective imagination.”
JOSH FINNEY DISCUSSES TITANIUM RAIN WITH BLEEDING COOL: THE BOOK, THE AUDIO PRODUCTION…AND THE CONTROVERSY WITH THE CHINESE GOVERNMENT… JUST CLICK HERE!
AUDIOFILE MAGAZINE: “The sounds of WWII masked heroes fighting aliens, spies, and the establishment make this untold story of the war by a full cast of talented actors a delight to the ears. Josh Pollock leads a cast of more than a dozen actors in performing the story of a sinister plot foiled by 1940s “mystery men”: the Black Bat, Domino Lady, Secret Agent X, The Phantom Detective, and Airboy, a young aviator hero. The audiobook is punctuated by cool sound effects and the clipped tough-guy speech of the heroes (and heroine). This audio program is based on actual reports of Japanese planes heading toward the Hollywood Hills, which turned out to be false. At least, that’s what the government would like us to believe…” © AudioFile 2014, Portland, Maine
MARK SPARACIO (Battle for LA illustrator): “It sounds GREAT!”
RUDY PANUCCI, POPCULT: “Dramatic audio presentations, like comics, have the advantage of being able to recreate bygone eras without busting the budget. This production is spot-on…a great value for over forty minutes of rollicking old-school adventure.”
BOBBY NASH (Author, The Domino Lady; Secret Agent X; Evil Ways): “Battle for LA is team-up heaven for pulp fans. This one is a must listen.”
GIL T. WILSON, GIL T.’s PLEASURES: “I think I have just found the perfect combination of some of my favorite things; UFO conspiracies, pulp magazines, comic books and audiobooks. This audio production combines all these into one great production that keeps you hanging on to every sound and leaves you wanting more. You may even find yourself dodging bullets.”
RUDY PANUCCI (PopCult, Charleston Gazette): “The Starstruck Audiocomic is considerably more evolved than a traditional radio drama. At times I was reminded of the radio incarnation of Hitchhiker’s Guide To The Galaxy, and at other times the frenetic pace and dense action reminded me of The Firesign Theater. Jokes fly by so fast that repeated listenings will be warranted. The Starstruck Audiocomic is a real kick. It’s also the healthiest way to read comics while driving. I’m really looking forward to whatever Audiocomics decides to do next.”
EVAN WATERS, CLUB PARNASSUS: “Starstruck’s translation to the aural medium is superbly done. It’s a lush and charming sci-fi comedy which has a lot on its plate but somehow manages to avoid a spill into incoherence…and I do want to say, if there’s a stage play out there featuring the wild and ribald adventures of four female space rangers, why is this not performed as often as The Sound of Music? This is just what you need to get people going to the theatre again.”
THE LOTTERY PARTY: “Noted cartoonist Scott McCloud once wrote about the gutter spaces between comic book panels inviting the reader to fill in the blanks, so to speak, and this “audio movie” absolutely possesses that exact same pull. In defense of audio dramas, having heard this work I just don’t think even a live-action film version could do as much justice to the imagination eased out from the mind by this brilliance.
“Art in its highest aesthetic value challenges us and provokes us, to whatever degree and in whatever capacity. I sincerely believe that, contrary to the tenets of a capitalism-enthused creative industry, not every story can so readily cross mediums from one to another, as all have their own particular strengths and weaknesses which can too easily be flustered in the translation syntax. Comic books as trial screenplays or novels adapting movies, or whatever the trend this minute, all deny the intent of the creation’s original form as well as disrespecting the mediums themselves, with variations almost universally watering down the message.
“But that’s not at all the case here. While mediums can never really literally be interchangeable, Starstruck boldly shows that different mediums can in fact play into each others’ strengths and weaknesses, expanding upon each other and uniting together to tell an even richer ideal than any one might do on its own. Such a grandiose feat requires truly artisan conception and direction and presentation, and such an accomplishment is most certainly delivered by these fine folks in this recording. Verily – honor to the mind that replicates their pattern.”
AUDIOFILE MAGAZINE: “Listeners should be warned that Starstruck is a swashbuckling feminist joyride, a comedic space opera that doesn’t take itself too seriously. Fans of The Hitchhiker’s Guide to the Galaxy and Firesign Theater will love this crazy audiobook…the full cast of more than two dozen actors is to be commended for this performance about a group of spacewomen who are trying to stop a nasty female pirate from committing a nefarious deed. Listeners who go along for the ride won’t be disappointed as long as they know what to expect: a raucous comedy that breaks all the rules.” © AudioFile 2010, Portland, Maine
SUSAN DUNMAN, READING AT THE SPEED OF SOUND (www.tor.com): “The podcast offers clips from the audio drama, as well as a discussion from some of the performers sharing their thoughts about the production. Be sure and give a listen!
JM DeMATTEIS (comics legend, Justice League, Spider-Man, Moonshadow, Imaginalis, The Life and Times of Savior 28): “Open your ears, uncork your imagination and blast off on a mind-expanding intergalactic audio adventure.”
TOM LOPEZ (ZBS Foundation): “Funny and sophisticated…you can tell they sure had a lot of fun doing this.”
FRED GREENHALGH/RADIO DRAMA REVIVAL! on WMPG FM: Hear the Starstruck special on Radio Drama Revival!, featuring selected scenes and interviews with a very tired Lance Roger Axt and Elaine Lee! “A great example of taking work from another medium and making it audio drama… I highly support it!” – Fred Greenhalgh.
CHRONOGRAM MAGAZINE: “The cast of AudioComics’ radio play version has a blast chewing intergalactic scenery in Firesign Theatre mode.”
TYM STEVENS, RockSex: “Many have heard of the Starstruck play but few have seen it. The series is most known by its comic stories, which are all actually prequels to the play. The AudioComics Company remedies this with their timely new adaptation of the play as an audio play. This finally brings the play, and the dimension of sound, to the general public. Now fans used to the visual side of Starstruck – from Kaluta’s art, Moyer’s color, or Sean Smith’s stage photos – can finally hear the stage personalities, sound effects, and Dwight Dixon’s original score.
“The audio play captures all the lunacy of the original play as it rebounds through Sci-Fi chestnuts through a chandelier. What’s it like? Imagine the city-smart sass of Princess Leia in Star Wars, and with most of those male parts played by women. The play is Sci-Fi through the funhouse mirror of Firesign Theatre or Douglas Adams: ramped-up, some crazed vamp, a little camp. I say, buy it now, buy it often!”
JON WITMER, THE DANGER DIGEST: “Bringing the stage play into audio form was without question the right way to go. For one thing, I’m always suspicious of adapting brilliant comics into other media. More importantly, though, the stage play’s story was appropriately contained for a, well, play. But don’t let that fool you – if there’s an aural equivalent to the comics’ dense visuals, this is most certainly it. Just as the comics’ layers of detail reward multiple reads, so too does the audio play reward multiple listens. Indeed, it’s impressive to hear how the storytelling devices used in the comics are translated to the radio play form. A rich use of sound effects creates a detailed, variegated aural landscape complemented by Dwight Dixon’s pitch-perfect score.
“And where each issue of the comic would incorporate ‘excerpts’ from ‘historical’ accounts like Musing on the Events Leading Up to the Great Change and Ordering Anarchera in order to provide readers with pertinent bits of backstory and effectively flesh out what feels like a very real and lived-in multiverse, in the audio play, an omniscient narrator (voiced by Simon Vance) occasionally speaks up to season the narrative with similar background information.
“For anyone unfamiliar with Starstruck, I recommend you get acquainted first with the comics. But then, just as fast as you can, treat yourself to the radio play, and allow the sounds to flood your mind’s eye with visions of Kaluta’s art, Moyer’s colors and Lee’s indelible characters. It’s loud, it’s raucous, it’s baffling, sexy, hilarious and so much more – in short, it’s Starstruck. And it’s not to be missed.”
WEREGEEK, THE DISCRIMINATING FANGIRL: “Who would think that the fate of the galaxy would hinge on a load of phone books hiding a cache of secret information? The juxtaposition of the mundane and laughably ludicrous reminds me very much of Douglas Adams. And there’s plenty for the reference spotter to enjoy. I only started writing them down in Act 2, but I caught nods to and parodies of Star Trek, Doctor Who, Christopher Walken, Woody Allen, Walter Cronkite and The Wizard of Oz, just to name a few…I’d recommend Starstruck the audio comic to anyone who’s a fan of The Hitchhiker’s Guide to the Galaxy, pulp sci-fi, or just general goofy space operas.”
LANCE AND BILL ARE TALKING WITH TIM O’ SHEA ABOUT STARSTRUCK…
AUDIOFILE MAGAZINE: “Surf’s up, dude! This wacky sci-fi thriller whizzes by at a breakneck two hours with plenty of guitar riffs and screeching gears. Ian Alan Carlsen is effective as teen surfer Harlowe Pylott, whose laid-back West Coast drawl is punctuated by surfer slang. Harlowe and his friends become unlikely heroes when they save righteous babe Leucadia Mars, whose mother turns out to be not from planet Earth. Together they set out to retrieve Millawanda, an ancient spaceship that once belonged to a race called the Gamadin…this succeeds as bodacious summer escapism.” © AudioFile 2014, Portland, Maine
DAB OF DARKNESS: “Why I Read It: Surfers meet aliens and save the world: even I had to know what this was all about. What I Liked: cool tech; aliens; constantly exciting; the cover art is gorgeous (even though the book is a bit silly). Who I Recommend This To: Did you like Bill & Ted’s Excellent Adventure? Then you probably want to give this a try.”